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'The brain is not trying to focus on all the individual elements, so it can focus on the song.'Īlthough CDs long ago replaced LPs and cassette tapes as the music industry's dominant format, a cult of vinyl worshipers persists. 'Some aspects of older recordings make them a more pleasant way to listen to the music,' he said.

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He's the inventor of Stylus, the company's software that allows vinyl noise effects to be added during editing. and sometimes that's a little distracting to the music,' says Eric Persing, creative director of Spectrasonics, a software manufacturer in Burbank, Calif. With digital recordings, 'there's almost too much clarity, so you hear everything separately. Says Greenberg: 'It puts a record into a frame of reference that suddenly orients you toward another time as well as a specific sound.'

'If it's your vinyl, all those scratches mean it's your soundtrack,' says Pete Howard, publisher of ICE, a monthly publication for music junkies. And unlike vinyl LPs, CDs would never wear out.īut a funny thing happened on the way to sonic perfection: Some people found they missed the noise. The birth of digital recording and the invention of the compact disc as a playback medium would forever eliminate the pops and scratches that often came between music and music lovers. Two decades ago, the music and consumer-electronics industries trumpeted a quantum leap in audio technology. You could tell that the players put their hearts and souls into their playing.' 'Everybody's striving for such technical perfection, they're forgetting that some of the greatest records in history were done in scratchy old mono.

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'I think it's an answer to how pristine everything sounds today,' says Jeff Greenberg, chief executive of the Village recording studio in Los Angeles, and vice president of the Society of Professional Audio Recording Services. More hissing, ticks and assorted noises turn up on recent tracks by alt-rockers Wilco and Bright Eyes, pop singer-songwriter Lamya, even Johnny Cash.

The Transplants' 'Diamonds and Guns,' one of the hottest songs on alternative-rock stations, sounds as if it has taken a few too many rides on a turntable. Toby Keith uses it on 'Good to Go to Mexico' from Unleashed, one of the top-selling country collections. Today, the effect is being used by an even wider range of artists and producers.Įminem tosses in vinyl noise at the start of 'Without Me,' the lively hit single from The Eminem Show, the best-selling album of 2002. Since then, the crackles and pops of vinyl have been heard on the songs of countless rap, R&B and pop acts, often placed for effect amid music through sampling. Songs in the 1980s and 1990s by such rap artists as Public Enemy and the Black Sheep often retained the vinyl-based noises that accompanied the record samples of musical hooks.

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